"The figure represented is that of a woman wearing a long tubular shaped dress which reaches just below the mid-point on the calves. A seven-line inscription is engraved on the front of the dress. Her arms are extended from the elbows either in a gesture of supplication or more probably in the presentation of an offering. Originally she may have held a tray or shallow bowl in her hands, in view of the fact that the left fingers are horizontal and slightly cupped, while the fingers of the right hand are vertical; both the left and right thumbs are separated from the fingers as if the rim of the vessel might have been secured between them. The legs and feet are not well modeled, and the latter is lacking in such detail as toes and sandals. The slight projections on the bottom of the feet may have served as tenons or dowels for attaching the figure to a base. Her erect head rests on a thick neck. The features of the face are not realistically modeled. The prominent brow ridge continues the line of a rather straight, flaring nose. The eyes are proportionately large, and are simply round flat discs. The small closed mouth suggests a half smile. Her hair is rendered in a roll around the head hiding the ears and terminating in a long braid which hangs down the back to the level of her armpits " (Van Beek and Jamme 1976: 195). On the back and on top of the head there is a circular hole, 9 mm. in diameter and 11 mm. in depth, which was presumably made for the insertion of a dowel to attach the figure to a vertical surface, perhaps a plaque, the wall of a building, or a votive box.